Had a wonderful shoot with interior designer Manuel de Santaren and architect Charles Myer of this amazing metro west suburban home. A few pic’s from the shoot.
Manuel de Santaren & Charles Myer
July 16th, 2010Off the Grid
June 3rd, 2010Every now and then I have the great opportunity to get off the “grid” and spend some time fly fishing in Northern Maine. This Camp is one of my most favorite places to unwind, fish, and relive a part of history. These historic Maine Camps where built in the early 1900’s when ‘Sports’ and their family’s would move from Boston to the Maine woods for the summer. They would fish, hunt and explore the natural world. Of course, they had their ‘Maine Guides’ to take care of them and guide them in these great woods. They would read, carve, play cards and put on skits. For a month or maybe two they would live the woods life away from the hustle and bustle of the city.
Today these camps still survive, although many just barely. They are rustic but comfortable and hark’en back to a formal yet relaxed outdoor experience. The hand hewed beams, rustic furniture, kerosene lamps and wood stoves speak to a time I wish I had known.

The Bait Box

Buddy Hall

Duffle Bag
Kristen Rivoli Interior Design
May 25th, 2010Urban Show House
April 28th, 2010Here are a few teaser images from the Urban Show House in the South End.
This four story walk-up designed by architect Guy Grassi features the extraordinary work of international, national & local designers:
JONATHAN ADLER
ANDREW TERRAT & DEE ELMS
DENNIS DUFFY
LISA KREILING
Here is a sneak peak. See more here.
Sherrerd Hall – Princeton Engineering Campus
April 18th, 2010I recently had the opportunity to photography Sherrerd Hall at Princeton University. Here is an excerpt about the building from the Princeton University News.
Sherrerd Hall stands on the edge of a quadrangle bordered by several other modernist buildings, including the Friend Center for Engineering Education and Mudd Manuscript Library. “It has an ethereal quality that connects it to its environment,” said Fred Fisher, principal of Frederick Fisher and Partners, the award-winning Los Angeles firm that designed the building. “Glass reflects the environment and opens a building to the world. It connects what goes on inside the building to the campus and community outside.”
As the photographer I felt the need to relay how this glass structure interacts with its surroundings. It not only reflects the sky but the other buildings, trees and even students that surround it. Having students in these images gives the viewer a sense of scale and purpose of the building. I took great care in getting the students in the right location. They also add that “moment in time” element that is often missing in architectural photographs.
See more images from this shoot here.
NYC Wanderings.
April 1st, 2010Finally got back to NYC last month to meet with some Architects and Design Firms. Also took in the Architectural Digest Home Show. I had a few precious hours to wander. NYC is such a visual treat. The Met Life building is so Iconic!
I am always so intrigued in how buildings meet in the city. The various textures and styles of two buildings butt up against each other with sometimes elegant but usually severe results. Take a look! NYC – Wanderings
See more of my NYC Wanderings here.
Design New England March 2010
March 4th, 2010Modern Art
March 3rd, 2010Incredible modern residence in Lincoln by Andrew Cohen Architects and Merz Construction for an Artist/Dancer.
You first see the “modern box” design punctuated with metal framed windows and mahogany accents; then you realize the outer sheathing is a New England classic. Shingles. They’ve been stained yellow to compliment the woodsy site.
“Conceptualized as a solid box, which opens to the light through a series of volumetric cuts, the materials reflect the operations that create the house’s surfaces.”
See all the images here!
Corporate Lobby
February 8th, 2010Here are a few images of the newly re-modeled lobby at 399 Boylston St. designed by Gertler & Wente Architects NY.
The idea was not to just capture the space, but give a sense of the natural light feeling.
Equally important, was highlighting the natural materials and describing the lighting program.























It lasted until 1989 when it was removed for a new modern detachable quad.


